Thursday 25 January 2018

Photographers

Use the list of Photographers below and complete another piece of artist research for your comp1







Environment                                    
Andre kertesz (line, pattern,
space)
Moholy – Nagy
Elaine Duigenan
Todd Selby

Urban Environment
Louis McCullagh
Lee Friedlander
Otto Steinhart
Eugene Atget
Stephen Shore
William Eggleston
Dave Beckerman
Daniel A Norman
Dano Pendygrasse
Tom McGhee
Louis McCullagh
Matt Stewart
Boris Ignatovich
Paul Anthony Melhado
Alex Ramon
Rob Gardiner
Louis McCullagh
Keegan Gibbs

Still Life

Steve Chong
Florence Henry
Berenice Abbott
Karl Blossfeldt
Kari Gunter-Kremers
Oleksiy Maksymenko
Alex Ramon
Ed Vatza
Irving Penn C
William Eggleston C
John R J Taylor C
Mark Meyer C
Philip Cohen C
Richard Lister C
Jan Groover C (metals)
Veronica Bailey – paper
Todd baker
Wols



Natural Form/Nature
Stuart Franklin C
Imogen Cunningham
Tina Modotti
Russell Burden
Kathryn Kolb
Giacomo Brunelli
Leon Steele
Rachel Sudlow
Kimtojjin


Fashion Photography
Irving Penn
Terry Ryan
Joanna Kustra
Mario Testino
Lorenzo Agius
Miles Aldridge
Rachael Sudlow
Kevin mark Pass
Candace Meyer
Hew Locke
Julia Francis
Miles Aldridge
Ami Barwell




Colour /Texture/pattern
Skip Hunt
Mark Rothko- abstract
David Patterson
Max Forsythe
Phillip Dunn
Aquil Akhter
Christopher Wylie
Vanessa Hreha
Karen Chappel
Caleb Kimbrough
Adrianne Adam
Sonja Raven
Clive Sawyer
Diane Johnson
Roy Caratozzolo
Barbara Bryan
John Beaty
Rachel Sudlow
Felice Varini



Abstract
Ulf Buschmann
Werner Bischof
Erich Hartmann
Chris Fohlin
Remco Van Sanden
Demon Mathiel
Tony Howell
Mario Kirin
Richard Kirk
Jimmy Wren
Laszlo Moholy-Nagy
Marian Robertson
Meredith Sparks
We Thompson
John Taylor
Chuck Haney



Landscape
David Benjamin Sherry
Edward Weston
Minor White
Paul Caponigro C
Alfred Stieglitz
Rolf Hicker
G. Arnell Williams
Lee Friedlander
(social landscape)
Sandra Brostein
Sasha Herakovic


Industry and Machinery
Willard Van Dyke
Albert Renger Patzsch
Boris Ignatovitch
Richard Deacon
Albert Renger- Patzsch
Alexandria Easter – transport
Claire Sambrook

Architecture
John MacLeod
Alex Sedgwick
George Kavanagh
Baldus Edouard
Berenic Abbott
Eugene Atget
Bob Rapfogel
Nick Hastings
Jose Vergara
Gio Bautista
Steffen Allen
David A Knudsen








Visits, Journeys, walks
Francis Frith
Fay Goodwin
Hamish Fulton C
Richard Long C
Robert Huberman
Jeff Gros
Chellis Glendinning
Justin Sommia
Lisa Jacoby
Perou
Molly Steinward
Hamish Fulton
Andru McMillan
 
 
 
Modern Age
Rodenko
Charles Sheeler
Ralph Steiner
 
Digital Image
Nancy Burson C
Jim Norton
Vicky Hunt
Lissy Elle
 
Layering Images
Herbert List
Dan Mountford
Gavin Thomas
Mariah Robertson
 
Multiple Imagery 
David Hockney C
Michael Spano
Andreas Gurskey C
 
Surrealist ideas
Jerry Uelsman
Herbert Bayer
Man Ray
Raoul Ubac
Anthony Earnshaw
Lissy Elle
Yumiko Utsu
 
 
Beyond Reality
Alvin Langdon Coburn
 
 
Staged Images
Robert Capa (doc photo)
 
Image and Text
Barbara Kruger C
Robert Frank
Gillian Wearing C
 
Mixed Media/Combined Imagery
David Noonan
Hanah Hoch -photomontage
Susan Derges –camera-less photography
Helen Sear
Arnulf Rainer
Andy Warhol C
Rauschenberg
Christian Boltanski
Peter Kane C (source mag, photo in photo)
Dan Mountford
Ernest james Belloq


Magnum Photographers

Miguel Rio Branco
Larry Towell
Alex Webb

Time/Era
Rikki Ercoli
Frank Habicht
Eric Van Den Brulle
Nick Dolding
Martin Jacobs
Carl Purcell
Veronica Bailey
Donna Rose

Colour
William Eggleston
Jennifer West
Matt Stuart
Todd Selby
Julien Legrand
Rolf Aamot

Commercial
Scott Hortop
Danny Gruber
Alex Maxim

Derelict
Sarah Pickering
Mark Blundell
Adriano Zannis
Louis Barr
James Lester
Adam Hinton
Molly Stienward
Norman Andrus
Susan Kinney
Alison Axworthy
Josephine Pugh
Adriano Zanni
Bob Lussier
Robert Dann
Alex Penny
Marnie Slasky
Micheker
Sarah tomlin
Angel Morgan
Spencer Dallan
Josh Schwartzman
Hank Van Rensbergen


Reflections/shadows
Phil Douglis
Florence Henri
Ed Peters
Jim Berkeley
David Patterson
Lyn Winans
Judith A Pikner
Linda Murphy

Bruno Barbey
Dan Heller
Clarence John Laughlin
Nate Kay





Documenting/ food
Hans Neleman
Stefanie Hafner
Rita Maas
Eric Isakson
Michael Ray
Matt Armendariz
Mark Harwood
Ashley Jouhar
Jonathan Kantor
Lisa Stirling
Steve Chong
Steve Wisbauer
Debi Treloar
Karen Pearson
Sue Hiscoe
Howard Shooter
David Munns
Richard Budd
Petr Pokorny
Reino Jonsson
Igor Stevanovic
Ingrid Prats
Paul Cowna
Lee Snider
Wong Hock Weng John
Oleg Guryanov
Aucher Mathieu
Hitoshi Nishimura
Naki Kouyioumtzis
Graeme Harris
Chris Schafer
Sian Bonnell
Mariah Skellorn
Dustin Wayne Harris
Jill Battaglia
Kathleen Good
Linda Hewell
Andrey Trubnikor
Cheryl Davis
Chris Nieman




Portraits 
Yousuf Karesh (theatrical lighting)
Jerry Oke
Keven Erickson
Susan Derger
Bob Miller
Alex Telfer
Neil Krug
Terry Ryan
Megan Will
Spencer Lloyd
Marc Gafen
Daniel Gordon
Katy Grannan
Francesa Woodman
Spencer Lloyd
Niel White
Michael Hils
Vitaly Friedman
Jane Brown
Tom Matthew
Mariell Amelie
 
The Human Figure
Edward Westons abstract forms
Bill Brandt
Touhami Ennadre
Beat Streuli
Spencer Lloyd
Robert Laska
Wiebke Leister
Jessica Hilltout
 
Documentary/travel
Geordie kat
Josef Koudelka
Yaniv Nadav
Paul Smith
Trey Ratcliff
Peter Sommer
Jonn Leffmann
Jeffrey G Wilkinson
Jim Norton
Gail Sullivan
Alex Ramon
Martin Amis
Jeremy Hogan
Mimi Chakarovci
Hannes Wallrafen
Camil Tulcan
Eugene Atget
Martin Parr C
Richard Billingham C
Nan Golding C
Diane Arbus
Gary Dawes
Henri-Cartier Bresson
Stuart Clarke C (sports)
Graham Watson C (sports)
Don Mc Cullin C (journalism)
Thomas Hawk
James Mollison
Henri-Cartier Bresson
Paul Seawright
Dave Reede
Hannah Starkey
Matt Stuart
Vicky Hunt
Larry Towell
John Leffman
Eric Kim
Alfred Elsenstaedt
Brian Soko
Robert Frank
David Laudien
Laurent Roch
Kaylynn Deveney
Gaby Sjostrom
Jamie Hunter
Francis Frith
Clare Gallagher
 
Series
Sophie Calle C
Mari Mahr C
Dorothy Richardson
Ginu Li
Kaylynn Deveney
 
Light( central focus)
Clarence John Laughlin
Jaromir Funke (projected images)
Penciero
Ralph Gobits
Greg Elms
Harvey Benge
Christine Hancomb
Tasra Mar
Ian Mackeon
Barry Staver
Andre Kertesz
Photomontage
Noemie Goudal
Matt Lipps
John Stezaker


Experimental/scratch
Hans Hastings
Adam Broomberg (circles)
Ernest James Belloq


Moition/Blur
Felipe Rodriguez
Rob Tilley
Greg Elms
Jerry Alexander
Ulf Bushmann
Sharon Wish

Composition/landscapes
Yari Beno
Oleg Pozorow

Monday 22 January 2018

Balance

Something we have not covered yet is balance, this terms refers to the weight a subject has within an image, the following paragraph explains this better...

Balance is a compositional technique in photography that juxtaposes images within a frame so that the objects are of equal visual weight. When different parts of a photo command your attention equally, perfect balance is achieved. In photography, there are two main techniques of balance you should be aware of: formal and informal. We’ll discuss the difference between each and how they can affect your photo.




It's essentially a composition element that looks at the weight a subject has across the overall image. 

Formal balance can be defined as symmetrical balance. All you have to do is frame the shot so that one or more identical or similar subjects are repeated symmetrical on each sides of a given point.

Informal balance is a less obvious form of balance in photography and requires more attention. It’s a concept that can be difficult to be specific about because it can be achieved in a variety of ways. Simply put, informal balance occurs when dissimilar elements balance each other out on each side of the frame. The size of each element can be irrelevant, but more often than not it’s better to have a larger element juxtaposed with a smaller element or elements to make a good composition.


What is the best way to compose this photograph?
Task:

  1. Look at your old photographs, pick one and have a go at analysing making sure to cover  balance in your analysis.
  2. Make your own notes on balance and how to use it in your work

Tuesday 9 January 2018

Pick an artist

Objective:

  • To gain an understanding of the artists that have worked in a similar theme
  • To appreciate how a theme can provoke and artistic response

In order to create an ace sketchbook of amazing work, you will need to research both contemporary and historical artists that have worked in a similar theme to you.

Task:
Use this list of artists and find out about their work within this theme.  Remember that an artist may not have only worked in this theme and the work you see might just be one part of their wider repertoire.  Complete the following tasks
  • Insert at least 2 images of the artists work into your sketchbook
  • Annotate the work noting down details outlined within analysis questions
  • Discuss your own thoughts about the work and how you think it relates to your theme
  • Discuss how you may draw inspiration from the work
  • Discuss how the artist developed the piece of work and what was their inspiration.

Deadline: 19/01

Mood Board

Task: Create a moodboard

Collect images that you think relate to your theme and make a page of work from other artists, magazine images or even some of your own work that you think closely matches your theme.  The images will need to be annotated so you will need to think about a way to show the following:

  1. why have you chosen this image?
  2. what do you like about this image?
  3. how will this image influence your work?
Each image you have chosen will need to be discussed, DO NOT USE THE ABOVE QUESTIONS AS HEADINGS, just discuss them when annotating your mood board.

Deadline: 10/01

Monday 8 January 2018

Mind Map

Task:

To create a mind map that demonstrates your theme and shows different artists and techniques you could use in your project throughout the year.

Take a look at the examples below:




DEADLINE: NOW!

Sunday 7 January 2018

Component 1 checklist

Well done on your beautiful mind maps.  Remember that an all sketchbook component 1 will make it easier to reach a higher marks than a digital portfolio, this is because some of the marking criteria require drawing and hand made work which lends itself to sketchbook work more than digital only work.

But I have already created a component 1 Google Slides Document!

Yes, this is right, and to be honest I think the best way to work would be to use this to plan your sketchbook pages before you commit to the pages of the book.  You can write down stuff, place images and upload your photos before you add them to your book.

What should be in my component 1?

So far your component 1 will contain the following pieces:

  1. mind map
  2. annotated mood board
  3. Analysed one of the artists from the list
These may not all be in your sketchbook yet, but they should at least be on your slides.